e-limbo, e-zine de informacion y analasis de modos de vida actual
 
24.08.2017 / Sesión no Iniciada 
_CINE

 _enviar articulo

e-mail emisor
e-mail receptor
Ayúdanos a evitar contactos automáticos
Anti Spam
Texto
 

En estos tiempos de hipercomunicación bastaría la invitación de enviar a un amigo cualquiera de los textos que consideres interesantes algo redundante: demasiada comunicación, demasiados textos y , en general, demasiado de todo.
Es posible que estemos de acuerdo... pero cuando encuentras algo interesante en cualquier sitio, la red, la calle, tu casa, o un lugar escondido y remoto, compartirlo no sólo es un acto (acción, hecho) de amistad o altruismo, también es una manera de ahorrar tiempo a los demás (y de que te lo ahorren a ti (si eres afortunado) a costa del tiempo que tu has podido derrochar (emplear) y el gustazo de mostrar que estuviste ahí (o donde fuera ) un poco antes (el tiempo ya no es más el que era).
Comparte con tus conocidos aquello que encuentras, es evolución.
Maya Deren * The complete films
26-06-07 Seleccionado por: Arty Show 

 

Maya Deren was a brilliant filmmaker and theorist whose films and writings have nevertheless paled beside the even larger legend surrounding her life and death.

¿Quién  Diablos es Maya Deren?  

Por Luis Xavier García

Download Torrent- Various formats and codecs- 1.3 gb.

You can also Stream or Download the films from UbuWeb

Purchase these films from re:voir

[external tracker provided by GL


Durante la década del veinte, las vanguardias cinematográficas surgen tras la búsqueda de una nueva sensibilidad estética y marcan el comienzo de un cine diferente y experimental. El uso de objetos comunes en lugar de actores es la principal característica del Ballet Mécanique (Ballet mecánico, 1925) primera película de corriente abstracta, realizada por el pintor, ilustrador, escenógrafo y también -aunque poco nombrado- cineasta experimental Fernand Léger.

Para 1927 la cineasta francesa Gaermain Dulac recordada como la primera mujer en realizar películas de largo metraje, filma su cinta La Concha y el Reverendo la cual fue escrita por el poeta francés de cierta influencia surrealista Antonin Artaud. La película permite ver el inicio de un cine construido a partir de imágenes que de forma consciente o inconsciente se unen para contar historias oníricas; lo que un año después Luis Buñuel y Salvador Dalí reafirman al presentar al público francés Un Chien Andalou, la primera película aceptada por la corriente surrealista de André Breton.

Concebida desde una escritura automática y de libre asociación de imágenes, el cortometraje de a penas 17 minutos de duración, logra exitosamente su objetivo al alejarse de toda hilación lógica en el relato. Sin embargo, la historia del cine experimental no termina ahí, nombres como Jean Cocteau o Robert Wiene ya antes se habían sumado a la lista. Pero es hasta la llegada de la cámara cinematográfica de 16mm que el celuloide es utilizado por Maya Deren para hacer de él un vehículo de exploración personal.

Considerada la mejor y más conocida cineasta independiente experimental, Deren marca el nacimiento de una vanguardia americana al presentar en 1943 Meshes of the Afternoon, su más conocido cortometraje y que hábilmente se introduce en la mente humana al poner al descubierto el inconsciente del personaje y el autor, los cuales son la misma persona.

Su trabajo ha sido definido como poemas visuales o sueños convertidos en filmes. El uso de la cámara lenta, paneos de sutil movimiento y continuos planos subjetivos hacen de las películas de Maya Deren un ensayo sobre el tiempo y el espacio, propio de un sueño que pone al descubierto los sentimientos, ansiedades y emociones que dan forman la experiencia personal de la autora.

A mediados del siglo XX y tras el fin de la Segunda Guerra Mundial, la influencia del existencialismo europeo y la cultura beatnik estadounidense ponían en evidencia la frustración y desesperanza de las nuevas generaciones de posguerra. En este contexto Maya Deren aporto junto con la llegada de la música concreta de Pierre Schaeffer y el primer videoarte de Nam June Paik el surgimiento de un nuevo refinamiento estético, utilizando el cine no sólo como un instrumento generador de historias, sino de exploración espiritual y de extraña narrativa poética.

De origen ruso, su verdadero nombre fue Eleanora Derenkowsky y nació en Kiev durante la revolución rusa. Su padre era psiquiatra y su familia emigró a Estados Unidos en 1922. Sus estudios los realizó en Suiza y en Nueva York donde estudió periodismo. Como periodista se desarrolló en el terreno de la poesía, la danza y la antropología.

Tras emigrar a Estados Unidos, Deren trabajo como secretaria del grupo de danza de la bailarina, antropóloga y coreógrafa Katherine Dunham, la cual la inició e introdujo en el vuduismo y la mitología africana. Después de Meshes of the Afternoon, sus siguientes películas incorporaban cada vez más la danza o la expresión corporal, a tal punto que comenzó a desarrollar lo que ahora se conoce como el cine-dance film. La Fundación Guggenheim le ofreció la primera beca concedida a un cineasta en 1946, el objetivo era investigar los rituales vudús en Haití. El resultado de este trabajo fue el libro " The Divine Horseman: The living gods of Haití" (1953), así como cinco horas de una película que nunca terminó editar.

Maya Deren falleció en Nueva York el 13 de Octubre de 1961 a causa de una hemorragia cerebral.

Filmografía

  • 1943: Meshes of the afternoon
  • 1944: At land
  • 1945: A Study in Choreography for Camara
  • 1946: Ritual in Transfired Time
  • 1948: Meditation on Violence
  • 1959: The Very Eye of Night

Todo esto salió del e-zine CINEFAGIA

Maya Deren
The Complete Films
(1943 - 1958)

"The camera of Maya Deren delivers us from the studios: it presents our eyes with physical facts which contain profound psychological meaning; it beats out within our hearts or upon our hearts a time which alternates, continues, revolves, pounds, or flies away…. One escapes from the stupidity of make-believe. One is in the reality of the cinematic fact, captured by Maya Deren at that point where the lens cooperates as a prodigious discoverer." (Le Corbusier, 1945)

Biography
Maya Deren was a brilliant filmmaker and theorist whose films and writings have nevertheless paled beside the even larger legend surrounding her life and death. From the early 1940's until her sudden (and some would say supernaturally-caused) death in 1961, Maya Deren both evoked and exemplified the American avant-garde film movement virtually by herself - as filmmaker, distributor, lecturer, theorist and promoter — all in one fiery personality. She worked completely outside the commercial film industry and made her own inner experience the center of her films.

Maya Deren was born Eleonora Derenkowsky in Kiev in 1917. Her father was a psychiatrist. In 1922 the family emigrated to America and settled in Syracuse, New York. Maya was educated at the League of Nations School in Switzerland, at Syracuse and New York universities, and at Smith College, where she earned a Master of Arts degree in literature in 1938. While still a student at Syracuse, she devoted her energies to the underground socialist movement. As her fascination for photography and film grew, her talent for organization and persuasion was re-channeled.

All the arts lacked subsidies in the forties, but film was one of the poorest. Charismatic and determined, Deren peddled effectively for herself and her peers. She worked ceaselessly to establish facilities and funding for the independent film movement which subsequently grew up in America. She lectured everywhere from Yale University to the Dave Garroway show. In 1946, she was the first filmmaker to receive a Guggenheim Fellowship (for work in "creative motion pictures" ) as well as the first to establish a non-profit film foundation, the Creative Film Foundation. Her work led ultimately to the establishment of the first Film-Makers Co-op in New York. She also wrote numerous theoretical and technical articles for film magazines and in 1946 published a pamphlet, "Anagram of Ideas on Art, Form and Film." Her work was crucial in building an atmosphere of respect for the art of film.

Deren became involved in modern dance, and while she was not trained as a dancer, she was enchanted by the power of movement and the challenges of space and time. While working as publicity assistant, photographer, and secretary to the Katherine Dunham Dance Troupe on tour, she met the Czech emigre filmmaker, Alexander Hammid (nee Hackenschmied,) whom she later married. Though she made only seven films, Deren is credited as being the first dance filmmaker, someone who, Stan Brakhage said, "Made people both think and feel, and dared to give sense its full meaning." In her Statement of Principles she wrote: "My films might be called poetic, referring to the attitude towards these meanings…My films might be called choreographic, referring to the 'design and stylization of movement which confers ritual dimension upon functional motion… My films might be called experimental, referring to the use of the medium itself… I am addressing myself not to any particular group but to a special area and definite faculty in every or any man — to the part of him which creates myths, invents divinities, and ponders, for no practical purpose whatsoever, on the nature of things… The important truth is the poetic one."

Deren inspired and stunned many people in her short life of forty-four years. Her first film, "Meshes of the Afternoon," was made with Hammid, a hand-wind Bolex camera and funds from her own pocket in a period of two weeks in 1943. Fluidly combining mysterious surrealist elements with decidedly female psychological overtones to evoke an image of consciousness, its influence ranks with that of Bunuel's "Un Chien Andalou." Her subsequent films continued to explore space, time, the nature of form, the psyche, the possibilities of cinematic manipulation and the magic of dance.

Deren used her Guggenheim Fellowship to go to Haiti to film Voudoun (voodoo) ceremonies and dances. During this visit she became personally involved in the mysterious religion, which led to her writing "The Divine Horsemen." Although not trained as an anthropologist, she did a painstaking ethnographic study and consulted at length with Joseph Campbell and Gregory Bateson, with the result that the book became the definitive work on Haitian Voudoun. Her film footage, shot between 1947 and 1951, never finished in her lifetime and never seen before 1978, was later culled and edited by her third husband and collaborator, Teiji Ito and his wife Cherel. They added to the footage an anthropological structure and narration (true to the facts and spirit of her book) which though perhaps at odds with the original film's rhythm, clarifies the ceremonies for the viewer and does no harm. This revealing and stunningly photographed documentary, "Divine Horsemen: The Living Gods of Haiti," is perhaps at the center of the Deren legend: the legend of Deren the Voodoo Priestess. It is a film that conveys, perhaps for the first time, the power and beauty of the Voudoun rites free of both the false fantasies of Hollywood and the desensualizing distance of ethnographers. It is a picture of Voudoun viewed by an artist, and one privileged to conduct a study of emotional and psychological perceptions on an intimate and subjective level. It is also the work of an insider; Deren had not only gained the celebrants' trust enough to be permitted to film authentic ceremonies, she also participated in them. In fact, she had undergone initiation as a Mambo, or priestess, and had experienced possession - the center toward which all the roads of Voudoun converge. Of this experience, she wrote:"As sometimes in dreams, so here I can observe myself [dancing]… my sense of self doubles again…except that now the vision of the one who watches flickers, the lids flutter, the gaps between the moments of sight flowing greater…wider…My skull is a drum; each great beat drives that leg, like the point of a stake, into the ground. The singing is at my very ear, inside my head, this sound will drown me!…I cannot wrench the leg free. I am caught in this cylinder, this well of sound. There is nothing anywhere except this. There is no way out. The white darkness moves up the veins of my leg like a swift tide rising, rising; is a great force which I cannot sustain or contain…The bright darkness floods up through my body, reaches my head, engulfs me. I am sucked downward and exploded upward at once. That is all."

Deren died suddenly in 1961, of a strange seizure or apoplectic fit or cerebral hemorrhage, according to varying accounts. It would please her that her picture language still calls out to us, for she concluded her Statement of Principles with these words: "I am not greedy. I do not seek to possess the major portion of your days. I am content if, on those rare occasions whose truth can be stated only by poetry, you will, perhaps, recall an image, even only the aura of my films." Biography from - Mysticfire.com

Download Torrent- Various formats and codecs- 1.3 gb.

You can also Stream or Download the films from UbuWeb

Purchase these films from re:voir

File Name ………….: Maya Deren - At Land (1944) - Experimental Films Schizo.avi
File Size (in bytes) ..: 179,218,432 bytes
Runtime (# of frames) .: 00:14:44 (21195 frames)

Video Codec ………..: XviD
Frame Size …………: 512×384 () [=]
FPS ……………….: 23.976
Video Bitrate ………: 1618 kb/s
Bits per Pixel ……..: 0.343 bpp
B-VOP, QPel, GMC ……: []…[]…[]
Audio Codec ………..:
Sample Rate ………..: Hz
Audio bitrate ………: kb/s [ channel(s)] audio
Interleave …………: ms
Nr. of audio streams ..: 0

File Name ………….: Maya Deren - The Divine Horsemen_the living gods of Haiti.[Thanks daseinforlorn!].mpg
File Size (in bytes) ..: 529,119,024 bytes
Runtime (# of frames) .: 00:50:36 (90978 frames)

Video Codec ………..: MPEG-1
Frame Size …………: 352×240 () [=]
FPS ……………….: 29.970
Video Bitrate ………: 1150 kb/s
Bits per Pixel ……..: 0.454 bpp
B-VOP, QPel, GMC ……: []…[]…[]
Audio Codec ………..: MPEG-1 Layer 2
Sample Rate ………..: 44100 Hz
Audio bitrate ………: 224 kb/s [2 channel(s)] CBR audio
Interleave …………: ms
Nr. of audio streams ..: 1

File Name ………….: Maya Deren - Witch's cradle (1943) (excerpt).avi
File Size (in bytes) ..: 180,781,056 bytes
Runtime (# of frames) .: 00:11:46 (21172 frames)

Video Codec ………..: XviD
Frame Size …………: 608×448 () [=]
FPS ……………….: 29.971
Video Bitrate ………: 2044 kb/s
Bits per Pixel ……..: 0.250 bpp
B-VOP, QPel, GMC ……: [B-VOP]…[]…[]
Audio Codec ………..:
Sample Rate ………..: Hz
Audio bitrate ………: kb/s [ channel(s)] audio
Interleave …………: ms
Nr. of audio streams ..: 0

File Name ………….: Maya Deren Experimental Films - Meshes Of The Afternoon (1943).avi
File Size (in bytes) ..: 156,956,672 bytes
Runtime (# of frames) .: 00:13:30 (19414 frames)

Video Codec ………..: XviD
Frame Size …………: 512×384 () [=]
FPS ……………….: 23.976
Video Bitrate ………: 1285 kb/s
Bits per Pixel ……..: 0.273 bpp
B-VOP, QPel, GMC ……: []…[]…[]
Audio Codec ………..: 0×0055(MP3, ISO) MPEG-1 Layer 3
Sample Rate ………..: 48000 Hz
Audio bitrate ………: 106 kb/s [1 channel(s)] VBR audio
Interleave …………: 42 ms
Nr. of audio streams ..: 1

File Name ………….: Maya Deren Experimental Films - The Very Eye Of Night (1958).avi
File Size (in bytes) ..: 83,935,232 bytes
Runtime (# of frames) .: 00:15:01 (21608 frames)

Video Codec ………..: XviD
Frame Size …………: 512×384 () [=]
FPS ……………….: 23.976
Video Bitrate ………: 635 kb/s
Bits per Pixel ……..: 0.135 bpp
B-VOP, QPel, GMC ……: []…[]…[]
Audio Codec ………..: 0×0055(MP3, ISO) MPEG-1 Layer 3
Sample Rate ………..: 48000 Hz
Audio bitrate ………: 101 kb/s [1 channel(s)] VBR audio
Interleave …………: 42 ms
Nr. of audio streams ..: 1

File Name ………….: Maya Deren Experimental Films (1943-1958)-Ritual_in_Transfigured_Time_(1946).avi
File Size (in bytes) ..: 136,634,368 bytes
Runtime (# of frames) .: 00:14:27 (20789 frames)

Video Codec ………..: XviD
Frame Size …………: 512×384 () [=]
FPS ……………….: 23.976
Video Bitrate ………: 1257 kb/s
Bits per Pixel ……..: 0.267 bpp
B-VOP, QPel, GMC ……: []…[]…[]
Audio Codec ………..:
Sample Rate ………..: Hz
Audio bitrate ………: kb/s [ channel(s)] audio
Interleave …………: ms
Nr. of audio streams ..: 0

File Name ………….: Maya.Deren.-.A.Study.In.Choreography.For.Camera.(1945).avi
File Size (in bytes) ..: 18,014,208 bytes
Runtime (# of frames) .: 00:02:13 (3195 frames)

Video Codec ………..: XviD
Frame Size …………: 512×384 () [=]
FPS ……………….: 23.976
Video Bitrate ………: 1080 kb/s
Bits per Pixel ……..: 0.229 bpp
B-VOP, QPel, GMC ……: []…[]…[]
Audio Codec ………..:
Sample Rate ………..: Hz
Audio bitrate ………: kb/s [ channel(s)] audio
Interleave …………: ms
Nr. of audio streams ..: 0

File Name ………….: Maya.Deren.-.Meditation_on_Violence_(1948).avi
File Size (in bytes) ..: 161,107,968 bytes
Runtime (# of frames) .: 00:12:26 (17881 frames)

Video Codec ………..: XviD
Frame Size …………: 512×384 () [=]
FPS ……………….: 23.976
Video Bitrate ………: 1627 kb/s
Bits per Pixel ……..: 0.345 bpp
B-VOP, QPel, GMC ……: []…[]…[]
Audio Codec ………..: 0×0055(MP3, ISO) MPEG-1 Layer 3
Sample Rate ………..: 48000 Hz
Audio bitrate ………: 92 kb/s [1 channel(s)] VBR audio
Interleave …………: 42 ms
Nr. of audio streams ..: 1



All this stuff from the amazing Dr. GREY from GREYLODGE




   
 

Rating: 4.5 - 2 voto(s).

   
_COMENTARIOS
No existen comentarios.
Comentario / Comment:
  atención: para realizar comentarios tienes que ser usuario registrado.
        

_HistÓrico_Cine

07-04-16_Una nueva IMAGINACIÓN
24-04-16_ The films of Nick Zedd
15-01-12_ Un arte de intervalos. El cine según Jacques Ranciére
15-01-12_ Lies and bonds
24-04-11_ Para una conjetura estética de la maldad
11-12-10_ JEAN-LUC GODARD * FILM SOCIALISME
16-11-10_ Botanica mutante y otras hierbas
21-11-10_ pre-position n. 3: ON
21-11-10_ Restrospectiva en corto
17-10-10_ 9 Postales desde el cine de Ciencia Ficción
03-10-10_ NOTHING LASTS FOREVER
19-04-10_ Alice Through The Lens
10-01-10_ SÉ LO QUE ES CUANDO LO VEO* breve intro a la imagen pornográfica
31-10-09_ Snuff: A Documentary About Killing on Camera
17-09-09_ FILMINUTE
18-09-09_ Captain Celluloid vs the Film Pirates
13-09-09_ Lo no pornográfico
14-06-09_ The Manson Family
14-06-09_ Las paradojas del ARTE
17-09-09_ John Wisniewski interviews Jack Sargeant
24-05-09_Matar al padre
10-05-09_ Autista, bisexual, flaca, pequeña y peligrosa
19-04-09_ CONTROL
09-02-09_ The Archers Manifesto
15-12-08_ El destino del cine como arte * Jacques Rancière
02-01-09_ EL PERFUME, LA MÚSICA Y EL PORNO
26-10-08_ Películas extrañas
01-11-08_ La ética que Hollywood nos dejó
11-10-08_ VERTOV * El hombre y la cámara
18-09-09_ A Walk Into the Sea * Danny Williams and the Warhol Factory
20-09-08_ Derek Jarman * JUBILEE
18-09-09_ Los organos sin cuerpo de Hitchcock
20-07-08_ Stanley Kubrick's Boxes
22-07-08_ Jack Chambers * The hart of London
18-09-09_ 50 AÑOS CON "VÉRTIGO" 1958-2008 (I) * Intro 
15-06-08_ El estúpido ritmo de los demás
22-07-08_ LIQUID SKY ;-)
25-06-08_ TAKESHI KITANO * Master Class + El imprevisible (txt)
15-06-08_ El cine según Slavoj Zizek
15-06-08_ BLAST of SILENCE
06-06-08_ UNSEEN CINEMA
25-05-08_ Koji Wakamatsu
11-05-08_ Tulse Puper !¡ 1...2...3...
23-04-08_ Agitar, protestar, educar
27-04-08_ Leer en la oscuridad
27-04-08_ DIVINE TRASH
13-04-08_ Humildad sublime
24-03-08_ Stan Brakhage * Interview with Pip Chodorov
08-06-08_ The tao of Cristina Ricci
27-02-08_ Las películas de Philip K. Dick
17-03-08_ Crispin Glover * What it is? + The Big Problem (dou pack)
22-02-08_ Christina Ricci * Penelope
24-03-08_ Nobuo Takahashi: Godzilla, al revés
24-03-08_ CREENCIA Y PENSAMIENTO * ética y práctica del cine en la filosofía de Gilles Deleuze
02-03-08_ I'm fucking Matt Damon
24-03-08_ De la verosimilitud a la autenticidad * Atonement, un caso práctico
12-01-08_ BE KIND REWIND
19-12-07_ BitTorrent, A Boom To Independent Filmmakers
26-12-07_ Groupe MEDVEDKINE
02-12-07_ Ernie Gehr y el cine sin argumento
02-12-07_ Documental y Ficción, Masculino/Femenino
11-12-07_ El cinematógrafo como forma artística
30-11-07_ Chris Marker * Ensayo Fílmico ;-)
09-12-07_ Promesas del Este...
24-11-07_Still Life
16-11-07_ The five obstructions
01-01-08_ Montaje del desastre
26-09-07_ Por qué nos gusta tanto "El hombre de los ojos de Rayos X"
10-10-07_ Entrevista * Gyorgy Lukacs (va de cine)
16-09-07_ Entrevista* Orson Wells
25-09-07_Caotica Ana y la cosmogonia
25-09-07_Last minute
11-09-07_ Naomi Klein y Alfonso Cuaron
25-08-07_ Removiendo turbias raices con agua de primavera
10-05-08_ Easy Riders, Raging Bulls: How the Sex, Drugs and Rock 'N' Roll Generation Saved Hollywood
04-08-07_ "Euphoria", una historia sobre el amor brutal
03-08-07_ 28 osstias te daba yo
25-08-07_ The Pirate Bay Launches Bergmanbits, A Tribute to Ingmar Bergman
05-08-07_ Avant-Garde: Experimental Cinema of the 1920s and '30s
31-07-07_ Después de todo
23-07-07_ Raymond Salvatore Harmon: Secrets & Light
31-07-07_ Lo has visto ya todo, no hay nada más que ver ...
06-07-07_ Beat Takeshi, generación beat, no me digas nada -Takeshi's, Last Days, Carlos Pazos
26-06-07_ X men
26-06-07_ Wanderlust
29-05-07_ The evolution of snuff
23-04-08_ Fay Grim * Hal Hartley
30-05-07_ Shorts and Hal Hartley Interview
26-06-07_ Maya Deren * The complete films
26-08-07_ INLAND EMPIRE * El desierto de lo imaginario
01-01-08_ Two short films by David Lynch
30-03-07_ Grandes diálogos: Marathon Man
30-03-07_ La vida de los otros
30-03-07_ Soviet/Russian Parallel Cinema
09-04-07_ Sátántángo * Bela Tarr
18-03-07_ The fountain * Darren Aronofsky (2006)
14-03-07_ David Cronenberg and the cinema of the extreme (1997)
22-02-07_ The End * Christopher Mclaine
01-08-07_ Clint Talks
08-07-07_¿Qué es el acto de creación? * Gilles Deleuze 
16-02-07_ Akira Kurosawa * Rashomon
09-07-07_ Entrevista * Takeshi Kitano (BEAT TAkeshi)
11-02-07_ Frente a un diluvio de películas. Redescubrir a Kracauer
06-02-07_ Factory Blah
31-05-07_ Jean-Luc Godard por JLG
07-02-07_  Por un cine de exposición * Jean-Christophe Royoux
27-04-08_ Primer * The movie... [actualizado 25_03_08]

25-01-07_ This film is not yet rated
23-01-07_ Mishima: Yukoku - Rite of Love & Death
16-01-07_ NYSUFILMS
30-08-07_ Performance * the movie
08-01-07_ A propósito de "Volver"
07-01-07_ A Pack of Apocalypse. When? Now.
03-01-07_Introduction to "Avant-Garde Film"
03-01-07_ The Heart Is Deceitful Above All Things
16-01-08_ Skidoo: Otto Preminger's Unreleased Classic
25-12-06_ Orson Welles: The one-man band
22-12-06_ Plan 9 From Outer Space * Ed Wood
22-12-06_ A Scanner Darkly * PKD
22-12-06_ F is for Fake + Almost true
20-12-06_ Searching for the wrong-eyed Jesus
20-12-06_ Los "vacíos" de Antonioni
10-12-06_ Tarnation * Subjetividades renovadas
24-11-06_ Devenir secular de la simultaneidad en el cine
28-11-06_ Iraq for sale, la nueva película de Robert Greenwald
14-11-06_ Nobody wants your film
01-11-06_A PSA on Piracy
26-10-06_Pequeña Miss Sunshine
22-10-06_Werner Schroeter * The Death of Maria Malibran
22-10-06_Sherlock Holmes y la mujer araña
26-10-06_A Scanner Darkly ****
18-10-06_Temporada de patos
17-10-06_Toshio Matsumoto * Experimental Film Works
08-10-06_Forbidden Zone
08-10-06_Old Joy * Kelly Reichardt
29-09-06_El momento de volver a partir
08-10-06_The Devil and Daniel Johnston
29-09-06_Cine por el morro en Barcelona
28-09-06_The Queen: an elegiac prophecy
19-09-06_Le Grand Bouffe 1973
19-09-06_La Dalia Negra Review: cagada y consenso
17-09-06_Lenny Bruce * Thank You, Mask Man
16-09-06_Paris forever and ever
13-09-06_Film as a Subversive Art: Amos Vogel and Cinema 16
11-09-06_The Cowboy and the Frenchman * David Lynch
08-09-06_If Footmen Tire You, What Will Horses Do?
16-09-06_Man Bites Dog director dies at 38
05-09-06_Spectres & Tribulation
05-09-06_The Fountain * Darren Aronofsky * Venecia
30-08-06_Spike lee * When The Levees Broke
03-09-06_Steal This Film
05-09-06_El coro que llevamos en la cabeza
27-09-09_ Legendary Epics Yarns and Fables: Stan Brakhage
16-04-08_ The Pervert's Guide To Cinema  [actualizado 25_03_08]
13-08-06_dotsub and IMPD
10-08-06_Primer
06-08-06_John Huston, el hombre que no quiso reinar
04-08-06_Going C.R.A.Z.Y.
28-07-06_‘Scoop’: Shades of Nick and Nora, With Woody Allen’s Shtick
22-07-06_I See Good Movies
01-07-06_El señor de la guerra
30-06-06_The Viagra Auteurs
28-06-06_Andy Warhol * A documentary by Kim Evans
28-06-06_The Films of Jack Goldstein
14-10-07_ Cinema of Transgression
08-07-07_¿Audiovisual?
08-06-06_The Net
07-06-06_Lev Manovich * What is Digital Cinema?
04-06-06_Michael Snow * Wavelength
05-06-06_Robert Rauschenberg * Linoleum
05-06-06_ Robert Morris & Stan VanDerBeek
05-06-06_ Gene Youngblood * Expanded Cinema
05-06-06_William S. Burroughs * The Cut-Ups
13-04-08_ The Weather Underground [updated 25_03_'08]
05-06-06_Francis Ford Coppola * The Junky’s Christmas
06-06-06_Alfred Leslie * The Last Clean Shirt
17-05-06_¿Por qué querrá Sam la cabeza de Al?
15-05-06_Agnes Varda: Black Panthers - Huey!
06-06-06_Alternative 3
04-08-06_Rosellini a los 100 * Decálogo de un insurrecto
04-05-06_El amor en los tiempos venideros * Codigo 46
04-05-06_Art is for pussies
21-04-06_A User's Guide to the TriBeCa Film Festival
02-04-06_Kim Ki-duk * El arco
29-03-06_The worst of the worst: 10 bottom films of 2005
27-03-06_A Filmmaking Robot
29-03-06_Horror Show
24-03-06_Young. Beautiful. Deadly revisited
20-03-06_Matthew Barney | The Cremaster Cycle
17-03-06_Thank you for Smoking
19-03-06_Anarchy in the U.K.
08-03-06_Pequeños consejos para cortometrajistas
07-03-06_Cine de ciencia ficción
06-03-06_Entrevista | Jeanne Moreau Actriz [EXP]
05-03-06_Mondovino * Agitación necesaria
05-03-06_Bush da nueva vida al cine político * Siriana
24-02-06_Transamérica / Amor de p/madre
18-02-06_La Mayor pelicula irlandesa: Film, de Samuel Beckett
07-02-06_El miedo al mono en v.o.
07-02-06_James Mangold
05-02-06_Lee Tamahori detenido por prostitución
03-02-06_Philip Seymour Hoffman
29-01-06_Sundance premia 'La ruta natural'
29-01-06_Lírica visual / UNSEEN CINEMA
23-01-06_Borrascas personales
20-01-06_Whither the DIY Auteurs of DV?
17-01-06_007 REGRESARÁ EN UN ASTON MARTIN
17-01-06_Goons of New York
16-01-06_El club de las olas
13-01-06_El lado oscuro de la épica
11-01-06_Coke Classic
11-01-06_La muerte, probablemente
09-01-06_Jon Stewart, Oscar Host
08-01-06_I Like to Watch
07-01-06_Fateless
06-01-06_Brokeback Mountain
23-12-05_A Revenger's Odyssey in Pursuit of Terrorists
12-12-05_Variety 100 años / 100 iconos del cine
06-12-05_Thinking Outside the Box Office / interview with Steven Soderbergh
03-12-05_ Flores Rotas: «Introducing» Ramón, El gato del milenio
01-12-05_Primer » Shane Carruth
08-06-05_Victor Erice » El sol del membrillo
06-06-05_Ivan Zulueta » Arrebato
06-06-05_Ridley Scott » El reino de los cielos (Vaya cruz)

_ORBITAL_Cine

_Servicios

test
Regístrate y disfruta de utilidades de administración y gestión de los contenidos de e-limbo*
Recibe las novedades en tu correo electronico.
El futuro está escrito en las estrellas... Horóscopo creado por J.G. Ballard y dedicado a todos vosotros.
Aplicaciones y herramientas necesarias para navegar y utilizar los contenidos del limbo electrónico e internet (www).
Artículos de e-limbo* en formato PDF preparados para viajar y aportar información allá donde estés. (y seguir salvando árboles)

_e-limbo * apoya

test

_Multimedia

_AUDIO >
Mais uma edição do podcast Música Livre para o Archivo Vivo, do Centro Cultural da Espanha/AECID. ...
_PODCAST >
Ante preguntas de oyentes y amigos, puedo responder ahora que Vía Límite continuará en Radio ...
_VIDEO >
SORPRESA¡!¡! An unreleased version of Talking Heads' "Psycho Killer" with Arthur Russell on cello
Optimizado: Firefox, Safari, Mozilla, Netscape, Konqueror, Explorer. Resolución óptima: 1024x768
ISSN: 1885-5229    Aviso Legal e-limbo.org*