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En estos tiempos de hipercomunicación bastaría la invitación de enviar a un amigo cualquiera de los textos que consideres interesantes algo redundante: demasiada comunicación, demasiados textos y , en general, demasiado de todo.
Es posible que estemos de acuerdo... pero cuando encuentras algo interesante en cualquier sitio, la red, la calle, tu casa, o un lugar escondido y remoto, compartirlo no sólo es un acto (acción, hecho) de amistad o altruismo, también es una manera de ahorrar tiempo a los demás (y de que te lo ahorren a ti (si eres afortunado) a costa del tiempo que tu has podido derrochar (emplear) y el gustazo de mostrar que estuviste ahí (o donde fuera ) un poco antes (el tiempo ya no es más el que era).
Comparte con tus conocidos aquello que encuentras, es evolución.
Disinformation TV: The Complete Series
16-10-06 greylodge.org  

 

The truth hurts. Only problem is, it's getting harder and harder to determine what makes up the proverbial pain bringer.

By Pale Rider


Disinformation ® TV (Things you're not supposed to know) (by Discs)


Facts used to be the foundation of all truth, but over the course of time, the reliance on what really happened to jazz up the truth was shoved aside for more creative certification methods. Like a mass media game of Telephone, our current journalistic integrity is awash in plagiarism, falsehood, and purple monkey dishwasher spin. Now, this is not a new ideal. From Hearst's infamous yellow coverage to Murdoch's multinational 24-hour cable corporate con job, the news is not so much a reflection of truth (itself already removed from reality) but instead centers almost exclusively on what sells. This eon's old battle between accuracy and advertising caused Mark Twain to cajole such verity-warping practices. "Get your facts first", he wrote, "then you can distort them as you please". Today, infotainment merely does away with the accuracy middleman and serves up the second-hand speculation in more and more magical, indoctrinating ways. Media guru Marshall McLuhan is famous for his prophetic "the medium is the message" quote. But even that savvy savant couldn't have foreseen a time when non-events like the Scott Peterson murder case would receive non-stop pre-determination from round-the-clock pundit powered programming. So it comes as no surprise that when it was finally viewed by the Head Honchos at USA Networks, Inc. (owners of the woefully mislabeled Sci-Fi Channel) the UK TV series Disinformation formed a tight tension headache around their controversy free-coffers that had to have taken several showers, a gaggle of high priced shysters and a gross of sedatives to eliminate. The conglomerate had purchased the program, hoping to add a bit o' British irreverence and silly social satire to their 'too cool for school' self-concept. What they got instead was an enigma; one that acted like a television newsmagazine pumped up with enough alternative counter culture propaganda to resurrect the Weather Underground.

The DVD:
This masterpiece of a DVD presentation consists of two discs. The first contains the four original shows in the series, all culled from the British version and revamped and reconfigured for American television. The second disc is a four-hour overview of the 2/19/2000 Disinfo.Con held at the Hammerstein Ballroom in New York City. Like a no-nonsense news magazine, a typical 50 minute episode of Disinformation contains several "stories", the subject matter of which can be viewed in this individual breakdown of the installments:

Show 1: Best of Both Worlds (She-Male Porn)/ Joe Coleman/ Outsider Music/ "In Canada" Music Video/ Brice Taylor/ Uncle Goddamn/ Salvador Dali Alka Seltzer Commercial/ Brother Theodore

Show 2: Satanism/ Paul Laffoley/ Brother Theodore 2/ The Fetish Ball/ Surveillance Camera Players/ Uncle Goddamn 2/ The Montauk Project

Show 3: Kembra Pfahler/ Rocket Boy/ Grant Morrison/ Brother Theodore 3/ Radionics – Duncan Laurie/ Paul Laffoley – Thanaton III/ Uncle Goddamn 3/ The Sex Lives of Robots

Show 4: Extreme Pornography/ Miser Awesome/ Genesis P-Orridge/ Norbert Kox/ Uncle Goddamn 4/ Brother Theodore 4

On Disc 2, the speakers featured at the Disinfo.Con are as follows:

Richard Metzger/ Douglas Rushkoff/ Grant Morrison/ Adam Parfrey/ Kenneth Anger/ Marilyn Manson/ Joe Coleman/ Kembra Pfahler and the Girls of Karen Black/ Robert Anton Wilson

Disinformation, the media-blitzing brainchild of writer and cultural critic Robert Metzger was ripe with bodice-ripping confrontation from the very beginning. It dared to un-closet Satanism, de-mystify vast international conspiracies, and championed the worlds of both she-male and extreme pornography. Artists with severe visions were allowed to vent their hallucinogenic private Hells, complete with graphic depictions of their psychotic skills. It even out Knoxville'd Johnny by featuring film clips from a domestic cassette atrocity, the funniest home video as snuff film known as Uncle Goddamn. Between in-depth discussions of religious iconography and the popularity of "outsider" music, it was a series that never understood the boundaries of cultural significance. For every intelligent, philosophical entity that espoused their beliefs, a bunch of inbred hillbillies would be shown lighting their drunken Uncle on fire. Let's face it; any show, which believed that former Late Night with David Letterman ranter Brother Theodore needed his own Andy Rooney routine was probably living dangerously and needed to be silenced.

Much like John Carpenter's underrated cautionary tale, 1998's They Live, Metzger and his merry band of cyber slicks saw the media monster plastering the planet with its predetermined pus and decided to fashion an antidote for mass marketed mediocrity. They did this by simultaneously celebrating and deconstructing the very notion of what truth is, and how it can be easily manufactured and manipulating. Using an ideological foundation forged outside of the normal boundaries, it molded the teachings of Alistair Crowley, the cult of Genesis P-Orridge, insane redneck hi-jinx and Devo's theories on de-evolution into hour-long episodes of wild eccentricity. From its upfront rally cries ("Everything You Know Is Wrong" and "You Are Being Lied To") to the reliance on radical thinkers (and their thoughts) as the foundation of their policies, Disinformation is determined to disregard the rules of the game in order to rewrite the guidebook on media manipulation and responsibility. And it does so magnificently.

Cracking open the two-disc DVD set, one learns that Disinformation is a lot like reading a copy of the Weekly World News as written by James Randi and the staff of The Skeptical Enquirer. It's an incredibly entertaining and enlightening six-hour mindf*ck that hopes to show you how all the news is not fit to print…and how some of the most important never gets printed at all. It does so by featuring some of the most brain-changing, cortex cracking tall tales to not be referred to as urban legends. A good example of Disinformation's raison d'Etre can be summed up in the Brice Taylor installment from Show 1. Ms. Taylor claims to have been a sex slave for the CIA, under the pimping auspices of Bob Hope. While servicing the sexual needs of leaders worldwide, she was asked to have Ronald Regan's genetically engineered love child. Why? Because Queen Elizabeth plotted with the US government to forge such a double helix superbaby. Presented in a matter of fact, "I am not insane" fashion, you are at first drawn in by the Jerry Springer meets Lyndon Larouche nature of her allegations. Then a former FBI "agent" is interviewed and he confirms her story. The doubts suddenly start to ebb. You sense her sincerity and even begin to ponder the possibilities that there…maybe…some truth…to what she is speaking of. And then the segment is over. No punchline. No knowing nod or wink to the audience to indicate if it was all a joke or not. As Metzger says during the shows introduction, "If you don't wonder if we're making this stuff up, then we're not doing our job". Such an ambiguous, multi-layered statement sounds more like a threat than a promise. But that is Disinformation in a nutcase shell.

There are other installments here that also initiate the borderline balderdash warning systems. The self-proclaimed "craziest conspiracy theory ever" known as The Montauk Project, is described in great detail by the unsettling Preston Nichols. Montauk refers to a now-defunct Long Island military base that supposedly housed experiments in time travel. The "system" used a sexually aroused psychic as a means of splitting the space/time continuum. With the possibilities portal opened, government spies were sent to literally screw with history. One temporal agent was even sent back across the epoch's to pilfer the blood from a dying Jesus in order to clone him. The resolute seriousness with which these events are explained is surreality at its best. Then there is Duncan Laurie and his droning, near incoherent explanations of his "illegal" experiments in Radionics, a science that is supposed to channel the vital energy patterns of all living things to, somehow, do man's bidding. Laurie believes that by listening to plants and how they "speak" to each other, we can somehow explain crop circles (!?) and make nature our slave. We are even taken ringside to the on-going power struggle between modern Satanists. Mafia-style, the five reigning 'families' in Beelzebub's business of Bad are infighting and splintering over, of all things, morality. Certain factions want to reach out to "Christians" to help them see the errors of their fundamentalist ways and convert to corruption. Others want no part of God's goodness as it messes with their pro-damnation message.

The fact that Montauk may just be a cover for Nichols "de-programming" techniques - which require him to touch young naked men - or that the disagreeing Devil worshippers act like Goth kids who didn't get tickets to the Bauhaus reunion tour means that there must be an underlying agenda to Disinformation's reporting. But if it has one, the show and its host never really let on. In this series, everything presented is factual and accurate. It is also so insane as to scream scam. And this may just be Metzeger's point about the media in general. After all, if he can make a man who believes that the next housing boom will be domiciles we can grow from seeds — and this was information given to him by visiting aliens…and he's drawn architecturally-sound schematics for such a dwelling — seem like a right sensible bloke, then why can't the official press make the War on Drugs into an international imperative? Metzger understands the old idea that the more times you tell a lie, adding layers of "proof" and professionalism to the fib, the more readily the rube will believe in it, even if 'it' is describing a masturbating mentalist that can send DNA detectives back in time to cross Christ's chromosomes.

When it's not in the self-referential zone of the zany, Disinformation is still a fascinating look at the almost-famous. Not everything here is hearsay horsesh*t shoveled up to the viewer's nostrils for a nice strong whiff. Mixed in with the 'lost-in-their-own-cosmos' crackpots are such hilarious highlights as an exposé on outsider music (public access performers proving that rhythm, song craft and musical skill are not universal) and the sad, pathetic fame-seeking life of Roy "Mr. Awesome' Shildt. This self-created "superhero' whose clinging claim to celebrity is the fact that he is in the Guinness Book of World Records for the highest score ever on the video game Missile Command, just won't realize that, not only are his fifteen minutes of fame up and over, but he never really had any allotted time to begin with. Performance artists like Kembra Pfahler (famous for the self-esteem saving act of sewing up her vagina) and Joe Coleman get a chance to explain their aggressive, angry expressions of identity. Along with graphic design demons like Grant Morrison (whose comic book The Invisibles becomes an instant must-read) and Paul Laffoley (using an abduction in a UFO as a guide to his architectural anarchy) Disinformation gives individuals without a mainstream platform to voice their underground grumblings. Perhaps the most profound and prophetic individual featured is artist Norbert Kox, who creates Apocalypse-themed oil-based tantrums that directly challenge Christianity's teachings. A devote believer, Kox turns tradition on its head by morphing the classical image of Jesus into joking, jester images of the Antichrist.

Yet the mind-blowing best is yet to come. The most enigmatic episodes focus on a hillbilly hi-jinx tape entitled Uncle Goddamn. Think of it as Jackass Daniels: a sick, vicious slapstick of the soil, completely devoid of slacker irony and loaded with bad taste moments of Appalachian sadism, and you just begin to scratch the surface of this genuine jaw-dropper. Uncle Goddamn is basically the videotaped journals of a pack of white trash trailer park alcoholics who wait until their uncle, their father or their friends get drunk. Then they light the inebriates on fire. Usually on the head or groin. Over and over again. Flammable fluid in hand and camcorder at the ready, this revolting, revolutionary video concurrently repulses as it realigns the entertainment universe single-handled. Uncle Goddamn is a test, a means of monitoring whether our Warhol-based fame society is ready for bumpkins committing near-fatal random acts of arson on each other for the sake of a supposed laugh. Like a car crash accented with dead puppies, this is must-not-see TV for the videodrome generation. Call it Mondo Moonshine or Faces of Dorks, but this is the true essence of reality TV taken to its most logical, ludicrous ends.

Not everything here is so outrageous, engaging or easily entertaining. The intense amount of ideological monologuing in Disinformation can be daunting, especially on Disc Two (though technically a "bonus" to The Complete Series DVD, it is too important to be separated from the show itself). Featuring four and one-half hours out of an 11-hour 'cyber-palooza' organized by Metzger, we are suddenly center stage at the longest, most non-linear lecture series ever attempted. After the first two hours, you can literally feel the synapses in your brain disconnecting. It's not because what the speakers have to say is so foreign or anti-consciousness raising. Just call it the 'captive audience' syndrome. The Disinformation-sponsored preachers plan to give the pre-paid customers their untold hours worth of sermonizing. Frequently, the need for an editor (either personal or cinematic) is painfully clear. Douglas Rushkoff has some very interesting and profound things to say regarding the battle between the establishment and the counterculture (he is declaring reluctant revolutionary victory), but his start-stop rambling incoherence nearly derails the rally cry. The same can be said for conference "headliner" Robert Anton Wilson (author of one of Disinformation's main treatises, Cosmic Trigger). His speech is filled with the kind of plain talk profundity, all 'us vs. them' endemics that absolutely mesmerizes you. But then he constantly wonders off-script, unable to keep his head out of his pants as he constantly obsesses on blowjobs (this material dates from the height of Monica-gate). Even elusive Hollywood Babylonian Kenneth Anger is here. But anyone hoping for analysis of his unusual body of film will be gravely disappointed. He has a pro-Crowley stance to sermonize about (as does most everyone here) and that's about all he wants to discuss.

Unless you are in tune with the whole pro-Wilson, viva la Alistair ideological chant, Disinformation can occasionally feel like a mental costume party that someone forgot to tell you was a masquerade. Metzger never plays down to the audience. He expects viewers to pull themselves up by their medulla oblongata and immediately get into it. Sometimes, it can be as easy to grasp as a truck driver's love handles. Other times, you feel like you're sitting through a fourth, unsuccessful re-read of Godel, Escher, Bach. And there is the sinking suspicion that Disinformation, for all its high-minded middle fingering of the media establishment is just shilling in the same manner as the big boys. McLuhan noted, "In the name of progress, our official culture (strives) to force the new media to do the work of the old." Perhaps Disinformation buys into this dogma, hoping to push product (books, DVDs, websites, etc.) by using the same old sales tactics. After all, the pornography sequences feature explicit material (everyone knows sex rules retail) and the aforementioned affinity with Uncle Goddamn comes straight out of the culture's love of unbridled visualizations of violence. Once again the uncertainty here is ethos-straining and the eventual cerebral mobius strip created (real to fake to mainstream to rebellion) can turn your psyche upback downways.

The Video:
Bright, commercial and as colorful as a pop art poem, Disinformation is a visual feast with so many fascinating elements that it's hard to pinpoint just one. The image is rich and the transfer is direct from digital video flawless. The creative use of footage, computerized graphics, clear cut design ideas and "found" objects means that this is one show that has as much going for it optically as intellectually. Though there is a heavy concentration on stark image juxtapositions and super-saturated hues, the 1.33:1 full screen transfer never falters. This is an outstanding production that looks great on DVD.

The Audio:
Again, this is a magnificent aural offering. The Dolby Digital Stereo captures the conversations and interviews perfectly and the use of inventive bumper music helps add to the sci-fi atmosphere of the show. Even when dealing with elements of varying quality (Uncle Goddamn is as homemade as they come, while some of the "outside" music gives the conditions in local cable access a very mediocre name) the mix is never muddled.

The Extras:
Since the bonus disc is really a necessary part to the overall Disinformation experience, it becomes a fantastic contextual extra. But there are also a couple of additional clips provided to flesh out just what made up the original Channel 4 offering. An amazing interview with Howard Bloom, author of The Lucifer Principle highlights what Disinformation does so brilliantly. A founder of Circus Magazine and music business executive (he worked with Prince, Bob Marley and a certain Michael Jackson, to name a few) Bloom believes in some higher order of consciousness, moving all organisms, from bacteria to human, en masse, toward some greater purpose. Listening to him explain his ideas while laying in bed (he is a long sufferer from Chronic Fatigue Syndrome) is pure informational bliss. Equally engaging is the other added sequence on this DVD set, a McTime segment with "disinformant" John Safran. Basically a boldfaced attack on McDonalds and its multi-national image, Safran's sentiments may be obvious, but the way he goes about them are pure Disinformation-style propaganda.

Final Thoughts:
It is obvious then that Disinformation as a concept, as a entity encompassing its website (http://www.disinfo.com), its publications, its digital entertainment and its informational happenings, wants to be at the forefront of the coming 21st century future shock, to help educate those who Alvin Toffler resolved would be "illiterate", not because they "cannot read and write", but because they cannot "learn, unlearn and relearn". Metzger and his new world media messiahs see the cabal of truth as an ongoing struggle between creationist and Darwinist, the tech savvy and the luddite. He recognizes the stagnation in the system and proposes a new way of clearing the pipes. So understand that everything you know is wrong. Realize that modern television is brainwashing – after all, why do you think they call it programming. Its influence is universal and according to Disinformation, based on the sinister conspiracy of selective journalism. McLuhan warned that "(E)lectric technology is reshaping and restructuring patterns of social interdependence and every aspect of our personal life. It is forcing us to reconsider and re-evaluate practically every thought, every action, and every institution formerly taken for granted. Everything is changing: you, your family, your education, your neighborhood, your job, your government, your relation to the others. And they're changing dramatically." There is a profound experience to be had at the core of Disinformation, something life shifting, mind altering and belief busting. It may all just be selling you a new pair of rose-colored glasses, but the confusion within the modern media cosmos looks so much better through Metzger's miscreant lens. (via)

Download Torrent- DivX AVI- 626.4 mb
BONUS: A scrape of all the disinfo TV files tat used to beon the old disinfo site




   
 

Rating: 4 - 1 voto(s).

   
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09-02-08_ La EDAD de ORO
04-02-08_ Double Agent * ICA London
24-03-08_ Heterocronías y estratos * Nicolas Bourriaud en Murcia.
03-02-08_ Interview with Juha Huuskonen (Pixelache)
01-02-08_ Una exposición de mierda
24-03-08_ El intelectual y el administrador
08-06-08_ Shut Up and Paint * On Julian Schnabel music
26-01-08_ Cómo cobrar 12 millones por algo titulado 'La imposibilidad física de la muerte en la mente de alguien vivo'
25-01-08_ Maria Teresa Hincapié * 1954 - 2008 
25-03-08_ Siete motivos para no asociarse a VEGAP, y uno solo para pertenecer a ella.
26-03-08_ Les Grands Ensembles * Pierre Huyghe
16-01-08_ arcad[i]as y convulsiones, perro muerto en tintorería: los fuertes (II)
24-03-08_ A journey that wasn't * Pierre Huyghe
30-12-07_ Dirty Dali * A private view 
24-03-08_ MONOTO * Entrevista
27-12-07_ Interview with Mark Mothersbaugh (DEVO)
05-01-08_ Paul McCarthy at the S.M.A.K
01-01-08_ El fenómeno vvork.com
22-12-07_ Devo * Bruce Conner
04-01-08_ Courbet indomable
26-12-07_ Camuflaje artístico para la guerra
26-12-07_ El artista como "War Profiteer"
01-01-08_ Featured Resources: December 2007 Selected by Alejandra & Aeron
16-12-07_ Emotional Sytems, contemporary art between emotion and reason
25-12-07_ Feministaldia 2007: taller de GWLP sobre mujer, postporno y hardcore
19-12-07_ Arcad[i]as y convulsiones perro muerto en tintorería: los fuertes (I)
04-01-08_ ¡VIVA EL FRACASO!
16-12-07_ Jaume Plensa * Entrevista
16-12-07_ 4 Películas * Gordon Matta-Clark
12-01-08_ El aura de lo digital
25-11-07_ Portikus * Ben van Berkel & the Theatre of Immanence
25-11-07_ Siempretodavía * Everstill
21-11-07_ Más y Más Malas Artes
21-11-07_ Reina la razón en El País????
22-11-07_ Sinestesia (en la era digital)
28-11-07_ Jorge Diezma * Eso ahí queda
24-11-07_ PALERMO at Duesseldorf
12-01-08_ HÉRCULES: devaluación y plusvalía [ dossier AGUT, Pep]
18-10-10_ Martin Heidegger * La pregunta por la técnica
05-11-07_ Pep Agut * HERCULES
06-11-07_ Hackers And Painters
15-10-07_ Sound is Material
01-10-07_ Who's there...
10-10-07_ Formas de institucionalización de las obras de net.art en el mundo del arte
09-10-07_ Val del Omar. FUEGO EN CASTILLA
04-10-07_ Ibon Aranberri: la memoria estancada
24-11-07_ The Aura of the Digital
27-09-07_ Arqueologías del futuro
29-09-07_ Artistas del No
23-09-07_ Lost. Aitor Lajarín
18-09-07_ La simpleza
25-09-07_Transient
23-09-07_ Passengers
10-09-07_ Un caldo indigesto
10-10-07_ The Fundamentals of Sonic Art and Sound Design
25-09-07_ Itinerario visual: abriendo ventanas (puertas)
07-09-07_ Imágenes del otro lado
27-09-07_ La reflexión de la mirada
02-09-07_ Bodypoliticx
26-08-07_ Concretismo  & Neoconcretismo
10-08-07_ Game Art
26-08-07_ La (im)posibilidad de atrapar el fantasma del deseo (José Luis Guerín)
26-08-07_ Nada se destruye, todo se transforma
25-08-07_ Reconstrucción del vacío
25-08-07_ Inland Empire: la esquizofrenia inevitable [1 & 2]
30-08-07_ A-desk: documenta en pocas palabras
01-08-07_ Los timos con más arte
24-07-07_ Las Vanguardias
09-07-07_ Cultural Institutions & Community * MAC
01-08-07_ UBU * Featured resources_ summer '07
07-07-07_ Stroom Den Hagg
03-07-07_  Formas de institucionalización textual de las obras de net.art en el mundo del arte.
31-01-08_ Andy Warhol * Life and Death (2006)
01-07-07_ Documenta sin documentos
26-06-07_ De Julia Fullerton-Batten a Seton Smith pasando por Rineke Djistra PHE07
05-07-07_ La cultura del fraude
21-06-07_ El regreso al orden *  Sobre la 52 Bienal de Venecia
28-06-07_ Neo Rauch at the MET
06-06-07_ UbuWeb Featured Resources June 2007
17-05-07_ Killing Time * Cuban Artists
17-05-07_ Access Denied
14-05-07_ Dana Schutz * Stand by Earth Man
10-05-07_ Cultura RAM * José Luis Brea
07-05-07_ CENTROS DE ARTE:  Chus Martínez y Ferran Barenblit
06-05-07_ Ireland at Venice 2007
03-05-07_ John Baldessari: Music
31-05-07_ El mundo del arte
23-04-07_ Nos Pagan por limpiar, no por hacer arte
16-04-07_ Time Based Text, the gesture in computer art
16-04-07_ Proyecto: La institucionalización del arte en españa
15-04-07_ The Abjection Collection
13-04-07_ Malota en Mad is Mad
09-04-07_ UbuWeb Featured Resources April 2007 Selected by Anthony Huberman
05-04-07_ Procesado de imagen. Silencio
02-04-07_ Imágenes congeladas
02-04-07_ El soporte sigue en la pared
29-05-07_ Beckett directs Beckett
23-03-07_ A Bit O' White * Een Neetje Wit * Un Peu de Blanc
20-03-07_ Alex Katz * The Jewish Museum
20-03-07_ Spanish Painting from el Greco to Picasso
20-03-07_ Wilhelm Sasnal 
23-07-07_ El autor como productor
10-03-07_ Kosuth: "Vivimos un saludable estado de descontrol"
08-03-07_ Christiane Löhr * Naturaleza Silenciosa
07-03-07_ Scorpio Rising * Kenneth Anger
07-03-07_ Kubelkas talks
04-03-07_ ¿Qué historia es la que nos quieren contar?
12-03-07_ La mala crítica
05-07-07_ Retrato del artista como crítico cultural
03-03-07_ Dan Flavin * La mística del material
26-02-07_ Péter Forgács - Wittgenstein Tractatus
23-02-07_ Cross sections of yesterday * Gordon Matta Clark
22-02-07_ 'Lost' y 'Desperate Housewives', de David Lachapelle
22-02-07_ ARCO: decoración (excesívamente) cara
11-07-07_ (Re)construyendo un afuera
06-11-07_ Matthew Barney: The Cremaster Cycle
19-02-07_ Francis Bacon (con un par de huevos) ejem 
12-02-07_ These are pearls that were his eyes
11-02-07_ Cardiff & Bures Miller: La metafísica del sonido
11-02-07_ LA EXPOSICIÓN INVISIBLE. Obras sonoras del siglo XX
11-02-07_ Art Fair TOKYO 2007
09-02-07_ Nuevo arte casero
11-07-07_ One11 [1992] * A film by John Cage
03-02-07_ El profeta de la nueva melancolía
02-02-07_ People Like Us & Ergo Phizmiz - Boots!
01-02-07_ Del lápiz al píxel * Fantasmagoría. Dibujo en movimiento
01-02-07_ Transforming e-waste into art
28-01-07_ Hacer cantera
07-07-07_ Art market stupidity
22-01-07_ The AD Generator
22-01-07_ The way we loop "Now"
18-01-07_Index. Coup de parole
19-07-07_ Interview with Art Orienté Objet
12-01-07_ Piece by Piece
04-01-07_ Ten Commandments for Gilbert & George (1995) 
02-01-07_ Premio Turner. La hora del cambio?
06-01-07_ Joan Morey: «El artista y su trabajo son objetos fácilmente reemplazables en este sistema»
29-12-06_ Slomo Video
28-12-06_ Audio-Visual Art and VJ Culture
04-08-08_ Popaganda: the art crimes of Ron English
19-12-06_ Se busca a la chica que va enmedio en el taxi
18-10-10_ La obra de arte en la época de su reproductibilidad técnica
15-12-06_ Keith Tyson
16-12-06_ Texte zur Kunst * Porno
13-12-09_ Drawing Restraint 9 * Matthew Barney [ updated 20_11_'07 ]
16-12-06_ Sampler * Ricardo Echevarría
11-12-06_ The projection project
09-12-06_ Bill Viola * Anthem
07-12-06_ Una mala broma
15-12-06_ Vicent Todolí * entrevista
09-12-06_ Sergio Prego * Black Monday
03-12-06_ Stan Douglas *  Viena Secession
02-12-06_ Vídeo y puertas al campo
30-11-06_ Lyon Biennial 2007 
24-11-06_ La visibilidad de un artista
23-11-06_ Sobre la idea de hablar * Pep Agut
27-11-06_ Chomsky vs Foucault. Human Nature * Justice versus Power.
15-11-06_ Soledad de unas uvas
10-11-06_ Alex Katz Paints Ada * The Jewish Museum
09-11-06_Drawing
22-11-06_ How Art Made the World
15-11-06_ Fuera de campo, con nosotros
02-11-06_Terayama Shuji - Experimental Image World
01-11-06_ Ampudia, la (in)digestión del arte
01-11-06_UbuWeb Featured Resources Nov-Dec 2006 Selected by Ingrid Schaffner
30-10-06_Prospección de un lugar * Taller Lara Almarcegui
30-10-06_Hacia la ciudad 'replicante'
01-11-06_Ritual Ov Psychick Youth
24-10-06_Robert Morris * Exchange
23-10-06_El código morse
22-10-06_David Link * Poetry Machine 1.0
26-10-06_¿Una napsterización del arte?
18-10-06_TEOR/eTica * Estrecho dudoso
18-10-06_Turning * Antony and the Johnsons with Charles Atlas
18-10-06_Dos españoles en la Bienal de Sao Paulo
01-10-07_ Jonas Mekas * 365 Shorts
09-10-06_Gary Hill * Como suenan las imágenes
16-10-06_Disinformation TV: The Complete Series
03-10-06_Unbounded Freedom
30-09-06_Muntean/Rosenblum * Memento mori
29-09-06_P2P Art
29-09-06_Intentos de escapada
28-09-06_ Bustamante, en el extremo
27-09-06_Piracy is the New Black (Again)
09-10-06_... aquí ...ahora ...nunca * josé maldonado
21-09-06_CCNOA (Center for Contemporary Non-Objective Art)
28-09-06_Pasaporte a Berlín
20-09-06_Eva hesse * Jewish Museum N.Y.C
27-09-07_ Stan Brakhage * 2 de 300 ( o más )
18-09-06_Raymond Pettibon * El copyright obstaculiza la creación
17-09-06_José Luis Brea * El tercer umbral
14-09-06_CONFLUX 2006
13-09-06_Bienal Internacional de Arte Contemporáneo de Sevilla 2
13-09-06_Yve-A. Bois: « La crítica precisa más discusión y menos poesía »
12-09-06_On collaboration
09-09-06_Illusion is a revolutionary weapon
01-06-07_AHmérica !¿ [ crónicas americanas ] vol.1 + 2 + 3
07-09-06_Abstracción cálida y guerra fría. 1946-1956
06-09-06_Done Anything Dangerous Lately?
05-09-06_The Pile
04-09-06_Lewis LaCook * The Ghosts of Colors
02-09-06_Live webcast of Burning Man
01-09-06_The art of provoking the art world
13-09-06_Bruce Nauman * Videos
20-08-06_The wonderful world of irational.org
20-08-06_Desestructurando la imagen
18-08-06_Interview * Ricardo Miranda Zúñiga
18-08-06_The Residents * The River of Crime
17-08-06_TV Party!
15-08-06_The Eighth Square * Museum Ludwig
17-08-06_Colección(ando) * CAAC
13-08-06_GLOBOS SONDA * Reinventar la modernidad
13-08-06_Détournement as Negation and Prelude
31-10-10_ Steve Roden * Soundwalk
10-08-06_Werk Ltd
10-08-06_Nothing * Nada
06-08-06_PICNIC ‘06 Cross Media Week
06-08-06_Yes Bruce Nauman
07-09-06_The Dawn of DIMI
04-08-06_Scope Miami 2006
04-08-06_Buchenwald Memorial * Esther Shalev-Gerz
31-07-06_Cybernetic Serendipity
30-07-06_Los comisarios se la juegan
06-08-06_Tacita Dean * Esquivar la ficción
26-07-06_The Best Surprise Is No Surprise
26-07-06_NO(HA)LUGAR. Balance(s) del arte español.
24-07-06_Obra de arte asesina?
24-07-06_En el país de Alicia
22-07-06_ORIGEN de Bleda y Rosa
18-07-08_ Dan Graham & The Static (Audio Arts Supplement, 1979)
20-07-06_Guy Debord - Critique de la separation
02-12-07_ Ernie Gehr * Serene Velocity
30-06-06_Matthew Barney * Drawingrestraint
30-06-06_Radio Gallery
30-06-06_Los tiempos muertos de Alicia Framis
29-06-06_Guerrilla Girls * Going ape
26-07-06_Juan Hidalgo * biografías y corbatas
28-06-06_ Damien Hirst * En descomposición
27-06-06_PhotoEspaña premia la pasión por el detalle de Hiroshi Sugimoto
26-06-06_This is America * Centraal Museum, Utrecht
30-06-06_Interview * United Visual Artists
26-06-06_La Espera * Avelino Sala
26-06-06_Switch on the power! * Ruido y políticas musicales
22-06-06_5 Days to the End of Art
26-06-06_Sonar... Sonar... Sonar...
16-06-06_Santiago Sierra * Del minimalismo al sentimiento de culpa
16-06-06_Salla Tykkä * De Appel
16-06-06_Especulaciones aun tiempo
13-06-06_Storefront for Art and Architecture
11-06-06_Yoshua Okon * Realidad y ficción no son categorías ni aisladas ni abstractas
10-06-06_Alva Noto * Fades
04-09-07_ José Luis Brea * Art.matrix
08-06-06_La ascesis de Malevich
08-06-06_D3Sombra * Emanuele Mazza
08-06-06_Técnica, ética y violencia del sentido
08-06-06_CENDEAC * Actividades Junio-Julio 2006
08-06-06_For Immediate Release
05-06-06_Michel Foucault * Of Other Spaces (1967), Heterotopias.
05-06-06_Matthew Barney versus Donkey Kong
04-06-06_Montserrat Soto * Archivo de archivos (1998-2006)...
03-06-06_Chema Alvargonzález * Bienvenidos al mercado irreal
05-06-06_Kunsthaus Graz * Inventory
01-06-06_Antoni Abad gana el Ars Electronica
05-06-06_Robert Gober
05-06-06_Project Arts Centre
24-05-06_Distrito cu4tro * Atelier van Lieshout
24-05-06_Galería Juana de Aizpuru * MACHÍN
24-05-06_Museum Ludwig, Cologne
23-05-06_ediciones originales * carles congost the congosound
05-06-06_Marcel Duchamp: The Creative Act
20-05-06_'Efecto Doppler' en la Tate Modern
05-06-06_DESTE Foundation (Athens)
06-06-06_Huis | Festival a/d Werf, Utrecht // De Appel, Amsterdam
06-06-06_Tina B — The Prague Contemporary Art Festival
07-06-06_Shock tactics
17-05-06_La historia no se repite
07-06-06_sonambiente berlin 2006
07-06-06_Netherlands Architecture Institute * Museum Boijmans Van Beuningen * Nederlands fotomuseum
04-05-06_CONVOCATORIA DE PROYECTOS MADRID ABIERTO 2007
07-06-06_Akureyri Art Museum, Iceland
07-06-06_frieze announces international art writer's prize
04-05-06_MUSAC * Globos sonda /Trials Balloons
30-04-06_Patricia Gadea, la oscura luz de una pintora
04-05-06_Joseph Beuys Sonne Statt Reagan, (1982): el vídeo.
04-05-06_Outrageous and Contagious
28-04-06_Lawrence Weiner * X Y&Z
28-04-06_Que no ondeen las banderas
28-04-06_John Martin, lux ex tenebris
28-04-06_Agirregoikoa o no ceder al deseo del amo
07-06-06_e-flux projects * Martha Rosler Library
26-04-06_Representaciones Árabes Contemporáneas. La Ecuación Iraquí
25-04-06_Las listas del Mal (en este caso pintores)
07-06-06_Tom Sachs in Milan * Fondazione Prada
23-04-06_Tecnologías y estrategias para la creación artística * Altea Mayo '06
22-04-06_Fernando Renes * Mis animales y yo
21-04-06_Daniel Buren * Les Cabanyes de ceràmica i spill
21-04-06_Serpentine Gallery and e-flux announce Agency for Unrealised Projects (AUP)
21-04-06_WHY BERLIN ! No. 6 – Exhibitions in Berlin April – August 2006 and more
20-04-06_MIRADOR 06 * O.K Centre for Contemporary Art
20-04-06_Sin.con.texto * Una nueva velocidad
02-04-08_ Instinto Básico: Trauma y Re-atrincheramiento 2000-2004
22-04-06_José Luis Brea * La crítica de arte - después de la fe en el arte
19-04-06_El ir y venir de África
19-04-06_Thomas Locher * el escenario de la ley
19-04-06_Pierre Huyghe * Lo que la verdad esconde
10-04-06_CFP: CULTURE ZONE 06—5 DAYS, 5 THEMES
08-04-06_Oportuna y chocante: Bienal de Berlín
08-04-06_Diango Hernández, el artista demediado
08-04-06_Las esculturas de luz de Christian Herdeg
08-04-06_Joana Pimentel
07-04-06_Timeless Universe * Universo Atemporal
02-04-06_The Youth of Today * Schirn Kunsthalle
01-04-06_Peter Zimmermann y la fábrica de chocolate
01-04-06_Una idea es una idea es una idea * Luis Bisbe
02-04-06_Pintura ni en pintura
30-03-06_MADRID PROCESOS 06 Convocatoria de producción para proyectos artísticos
31-03-06_Takeaway exhibition highlights
30-03-06_ARTIUM de Álava convoca su programa de BECAS '06
29-03-06_Frankfurter Kunstverein * A New Departure
27-03-06_El Retorno de J.V. Marjov a Valencia
26-03-06_Calendar of upcoming events
27-03-06_Un misterio de 38 toneladas (sigue la saga)
26-03-06_Para todos los públicos
25-03-06_Juan López, desde lo público
03-04-06_Douglas Gordon
25-03-06_Humildad y gloria * FCS
24-03-06_MUSAC | Lo Siniestro
22-03-06_Preus museum | Skate Culture
22-03-06_ARTIUM abre a la Red su Base de Datos
29-03-06_Hiato Berlines | crónica dxd
22-03-06_INTRACITY- art públic i mediació social
21-03-06_III Jornadas de Arte Contemporáneo
21-03-06_Signs of Psyche. Psychoanalytical Perspectives on Art
19-03-06_Eulàlia Valldosera | Lugares de Trabajo
18-03-06_Threshold | Faisal Abdu’Allah & Charlie Dark
17-03-06_Hardcore
17-03-06_N e t e r o t o p i a
16-03-06_Reclaim the Spectrum | Festival Zemos98 8ª Edición
16-03-06_Stefano Cagol | Galleria Civica di Arte Contemporanea
15-03-06_Subterráneos | Seminario de Manuel Delgado y Compañía
13-03-06_Guillermo Paneque
13-03-06_Guff and nonsense
12-03-06_Desde el lado trágico de la revolución conservadora
10-03-06_Young British | British art and a scent of scandal
09-03-06_Otto Dix
05-03-06_Joan Fontcuberta | Googlegrams
03-03-06_Deva Sand
01-03-06_An art that eats its own head
28-02-06_III Convocatoria de Becas / MUSAC
24-02-06_Revoluciones Por Minuto
24-02-06_Ángela de la Cruz
23-02-06_Esta casa es una ruina / MP & MP Rosado / "Desajustes
17-02-06_4º Encuentro Internacional de Performance
21-03-06_La pupila de cualquier bicho... / Entrevista con Jorge Diezma
17-02-06_International Biennial of Contemporary Art of Seville (BIACS)
17-02-06_Paul Sharitts en EACC
07-02-06_Archivo F.X.: La ciudad vacía
07-02-06_MUSAC EN ARCO
07-02-06_ENTREVISTA: Benjamin Buchloh
03-02-06_300 Words from London: Dan Flavin - All Light Now
03-02-06_Fernando Sinaga, territorio introspectivo
03-02-06_Ugo Rondinone
03-02-06_Valérie Mréjen
01-02-06_Going Out in Berlin: New Faust Opera, Beuys on Film, Forsythe
29-01-06_Curro González y Manuel Ocampo, cara a cara
29-01-06_Y de repente... Roman Signer
29-01-06_Golpes de efecto / James Rielly
26-01-06_ OVERGADEN, Copenhagen, Denmark is seeking an Artistic Director as of May 1, 2006.
25-01-06_Contra la Desgana / Jesús Palomino
27-01-06_«Bricomanía» con Jan de Cock
27-01-06_Is Damien Hirst the most powerful person in art?
23-01-06_HIRAKI SAWA
23-01-06_Entrevista a Pedro G. Romero
23-01-06_Rosemarie Trockel: Subversivamente femenina
20-01-06_Crítica: What Good Are the Arts?, by John Carey
19-01-06_Perdidas 38 toneladas de Serra... Richard
17-01-06_Dark Places
18-01-06_WHY BERLIN ! No. 5 – Exhibitions in Berlin January / April 2006
17-01-06_CENDEAC
16-01-06_Contraluz / Sergio Barrera
16-01-06_Apaga y vámonos / Light art from artificial light
16-01-06_En la brecha / Sergio Prego
16-01-06_Copyright y el brillante futuro digital de los museos
13-01-06_Lessness / Ricardo Echevarría
12-01-06_fotoencuentros '06
12-01-06_UNSEEN CINEMA
12-01-06_5e Biennal d’Art Leandre Cristòfol
13-01-06_Festival Internacional MEM
13-01-06_Sin mancharse las manos
11-01-06_Class of Wolfgang Tillmans
11-01-06_Seeing Out Loud
10-01-06_KW Institute for Contemporary Art is looking for a curator
10-01-06_BENJAMIN H.D. BUCHLOH Y GAYATRI C. SPIVAK en el MACBA
05-01-06_VENTANAS ILUMINADAS. MP & MP ROSADO
05-01-06_ARTIUM 2006
04-01-06_The most buoyant art movements of 2005
04-01-06_Minimalism & Market
04-01-06_Jorge Diezma en Luis Adelantado proximamente...
22-12-05_Mike Kelly: Day is done
18-12-05_Ignasi Aballí, la obra abierta
08-11-09_ Vanessa Beecroft: Desnudas flores de ceniza"VB53"
18-12-05_Video Art On Video IPods
18-12-05_Cuando el vecino llama a la puerta
18-12-05_LA OBRA MIDE 3,5 METROS Y PESA 2,1 TONELADAS
15-12-05_Hiroshi Sugimoto: End of Time
15-12-05_Pedro Garhel: hasta pronto¡!
19-03-06_Entrevista: Martí Anson, artista
11-12-05_The Power Plant
07-12-05_Light Art from Artificial Light
05-12-05_Fatal Frames / Marcel Pey
03-12-05_Ojos que no ven...
01-12-05_A Brief History of Invisible Art
01-12-05_Olafur Eliasson, 'Notion Motion'
30-11-05_VIB / vídeo
30-11-05_Programa de Estudios Independientes MACBA
28-11-05_Fundación Tàpies: nuevo WEB...
25-11-05_MUSAC inaugurates five new exhibitions...
24-11-05_Rubell Family Collection
30-11-05_Beat less Beat / vídeo
22-11-05_SESSIONS eKAPA 2005
22-11-05_Right about Now: Art and Theory since the 1990s
12-11-05_Little Artist Versus Big Dealer in Sidewalk Showdown
03-11-05_Damián Ortega, ‘Escarabajo'
03-11-05_Permanencias Difusas / CAB
28-11-05_Ignasi Aballí 0-24h
31-10-05_Todo y más / Cabanyal Portes Obertes
31-10-05_The New Art Dealers Alliance (NADA)
23-10-05_Skateboard Fever: 50 años de cultura Skateboarding
22-10-05_Embankment / Rachel Whiteread
05-09-06_Hand Puppet
12-10-05_KEITH HARING. Obra completa sobre papel
11-10-05_Abierto Concurso para cubrir la plaza de Dirección Técnica de Hangar
11-10-05_HIGHLIGHTS. Prudencio Irazabal
08-10-05_ VERSION MAGAZINE 0.6 - COLORING BOOK
05-10-05_Surface Charge
29-09-05_Arts & LEISURE
29-09-05_Atumn in black and white
28-09-05_Francis Alÿs / Seven Walks
27-09-05_Robert Whitman
23-09-05_e-flux video rental slumber party
22-09-05_The Mousetrap
22-09-05_Hussein Chalayan
22-09-05_IDENSITAT Calaf/ Manresa 05
22-09-05_Sesiones animadas
21-09-05_POWER PLANT gallery
21-09-05_WHY BERLIN! No. 4
21-09-05_Monika Weiss
20-09-05_Dora García / Frac Bourgogne
20-09-05_JONAS DAHLBERG – JÁN MANCUSKA
20-09-05_S.M.A.K. is recruiting a Guest Curator
20-09-05_IN CONCERT
20-09-05_OPEN SEASON
08-06-05_Ana Laura Alaez » The Black Angels Death Song
15-01-06_Robert Gober 2 » La falsa fruta verdadera o sin título

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Mais uma edição do podcast Música Livre para o Archivo Vivo, do Centro Cultural da Espanha/AECID. ...
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Ante preguntas de oyentes y amigos, puedo responder ahora que Vía Límite continuará en Radio ...
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SORPRESA¡!¡! An unreleased version of Talking Heads' "Psycho Killer" with Arthur Russell on cello
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