e-limbo, e-zine de informacion y analasis de modos de vida actual
22.03.2018 / Sesión no Iniciada 

 _enviar articulo

e-mail emisor
e-mail receptor
Ayúdanos a evitar contactos automáticos
Anti Spam

En estos tiempos de hipercomunicación bastaría la invitación de enviar a un amigo cualquiera de los textos que consideres interesantes algo redundante: demasiada comunicación, demasiados textos y , en general, demasiado de todo.
Es posible que estemos de acuerdo... pero cuando encuentras algo interesante en cualquier sitio, la red, la calle, tu casa, o un lugar escondido y remoto, compartirlo no sólo es un acto (acción, hecho) de amistad o altruismo, también es una manera de ahorrar tiempo a los demás (y de que te lo ahorren a ti (si eres afortunado) a costa del tiempo que tu has podido derrochar (emplear) y el gustazo de mostrar que estuviste ahí (o donde fuera ) un poco antes (el tiempo ya no es más el que era).
Comparte con tus conocidos aquello que encuentras, es evolución.
It's a Wonderful List
30-06-06 suggested by: Zé Vance 


By Bryan Curtis
Inspiring movies and what to do about them.

What inspires Hollywood? Before we reel off the obvious (money, power, Scarlett Johansson), check out the American Film Institute's list of the 100 "most inspiring" movies. It's quite an exhilarating collection. Only a true pleasure-seeker—a man who sits in dark rooms and waits for inspiration to pour forth from the screen—could bear all this goodness, beginning with It's a Wonderful Life, and surging through the reassurances of Gandhi, Forrest Gump, and Silkwood, before crossing the finish line, as it were, with Chariots of Fire. A cock-eyed optimist having not been located, I will offer some enthusiastically cynical pronouncements.

First, let's clarify what exactly Hollywood means by inspiration. To judge by the AFI list, we can define it three ways: Frank Capra, Steven Spielberg, and Tom Hanks. All three make numerous appearances on the list, beginning with Capra's It's a Wonderful Life in the top spot. Capra, of course, belongs at the head of the inspirational pack. Whatever you may think of his movies (also here are Mr. Smith Goes to Washington and Mr. Deeds Goes to Town), he was monstrously effective, and he was cagey in how he whipped up sentiment. When comparing the feel-good methodology of Wonderful Life to Mr. Smith, for example, you might note that both star Jimmy Stewart as a stammering idealist who discovers, in his own indefatigable way, the inner menschood of humanity. Or you might note, on a much simpler level, that both films include choruses of "Auld Lang Syne."
Having never made it all the way through It's a Wonderful Life, I popped in the DVD and prepared to be inspired. From the opening scenes, in which angels talk to each other in heaven, you can feel Capra's light, unmenacing humor, his glad-you're-here-with-us-tonight style. We learn that Stewart's George Bailey has had each of his dreams—world travel, college, leaving his hometown— deterred by a series of obstacles, one of whom happens to be Donna Reed. All of this is folksy and conventional, and it's not until the movie's final section, in which Bailey goes broke and contemplates suicide, that the movie achieves its cable-ready power. For me, that final section is neither revelatory nor darkly funny enough. But, even so, who can watch the closing image—the town gathered in the Baileys' living room singing Christmas carols; Bailey's faith in himself restored—without being inspired to do, well, something? Capra's lesson is simple: Be a nice guy and hope the rest of humanity catches up with you.

That's textbook movie inspiration—also represented here by The Pride of the Yankees (No. 22), Fiddler on the Roof (No. 82), and other testaments to the indomitable human spirit. But apparently the AFI feels that there's more to movie inspiration than the heartwarming. For example, what's Stanley Kubrick's 2001: A Space Odyssey (No. 47) doing on the list? Its prescient vision and special effects might inspire awe, I guess. That might be the reason the AFI was inspired by Spielberg's Close Encounters of the Third Kind (No. 58), a movie in which a man abandons his wife and children to commune with aliens. In fact, the more you peruse the list, the more elastic AFI's definition becomes. Inspiring also means "rousing" (Gunga Din, No. 74), "religious" (The Ten Commandments, No. 79), or simply "well-acted" (The African Queen, No. 48).
Perhaps the most efficient delivery vehicle for inspiration is the sports movie: Hoosiers, Rudy, etc. Leading the pack here, in the No. 4 spot, is Rocky. After another viewing, I decided that I just don't get Rocky. It's appealingly dopey, I guess, and you've got to admire the way Sylvester Stallone, who wrote the script, manages to use "yo" as every part of speech. But as David Thomson once put it, Rocky is a "fairy tale that fakes everything down to its own naivete." The working-class love story, the endless shots of Philadelphia slums—it's cold calculation posing as documentary flourish, similar to when politicians show up for "tours" of auto factories. Rocky feels like it has no ambitions other than to be inspiring and, as such, it feels completely phony.
Which is, I think, a nice way to divvy up the inspirational movies. There are really two kinds: There are movies that happen to be inspiring, and there are movies that have no reason for being other than to inspire. We can guess that David Lean might have had some larger ambitions when he made Lawrence of Arabia (No. 30); we might wonder about Robin Williams when he made Dead Poets Society (No. 52).
As to that second category—the pure inspirers—what exactly do the filmmakers think their movies will inspire a person to do? Read more Whitman? Call your mom and tell her you love her? It's just a hunch, but what I think inspiring movies do more than anything is inspire more inspirational movies. George Bailey begets Norma Rae who begets Forrest Gump who begets—well, whomever Russell Crowe is playing in the next Ron Howard film. It's a vicious cycle of inspiration, spanning decades. And it's enough to make anyone a cynic.

Click here to read more from Slate's Summer Movies.

Publicado originalmente en www.slate.com


Rating: 4 - 1 voto(s).

No existen comentarios.
Comentario / Comment:
  atención: para realizar comentarios tienes que ser usuario registrado.


05-12-10_ After the hacking of UbuWeb * An open letter
01-11-08_ Todos los archivos del mundo...
28-03-09_ La libertad en Internet facilita el éxito de los artistas"
18-09-08_ Entrevista * Michel Montignag
08-06-08_ Para repudiar el nuevo Guggenheim (México)
22-05-08_ Inisde Landmark Forum
07-05-08_ ELÁSTICA VARIABLE * Imagen y Conocimiento
08-04-08_ Bajo el asfalto estaba la red
19-02-08_ La palabra [imagen] encendida [apagada]: on [off]
24-03-08_ Zemos 98... 99... 100...
24-03-08_ Arriba, abajo, de lado, tirado...
27-05-08_ Fuentes de la fragmentación e hipertextualidad narrativas en la web
09-12-07_ Schwarz auf Weib (negro sobre blanco): palabras en busca de un mundo
21-11-07_ UBU * Selected by Christof Migone
09-10-07_ Elogio del editor suicida
04-10-07_ Operación: Salvar el Reina Sofía (ohjú)
01-08-07_ Hans Rosling issues new challenges 
12-07-07_ PIENSA * De gestión y pensamiento
06-07-07_ Navegacion: las huellas borradas
29-06-07_ Hipertexto * El fluir del pensamiento.
29-06-07_ MARC FUMAROLI: "La cultura se ha convertido en una ensaladilla rusa, ¡en una pizzeria!
27-06-07_ De lo insabido que hace saber...
02-06-07_ The Black Dog
03-05-07_ Nico * Frozen borderline
31-05-07_ Alex Katz * Interview
29-03-07_ Otto von Busch * Abstrak Hacktivism
31-05-07_ Alain Badiou * Truth
12-03-07_ Interview * Anthony Dunne
03-03-07_ Kill your idols
12-02-07_  El teatro imposible 
03-02-07_ An Alliance of lions
28-01-07_  Maria Antonieta o, ¿el regreso del Posmodernismo?
28-01-07_ México, el vuelo del águila
22-01-07_ Open-of-Course
19-01-07_ Santi Santamaría (interjección)
09-01-07_ Una vivencia (-sueño) nocturna * Ludwig Wittgenstein
06-01-07_ UbuWeb Featured Resources Januray 2007 Selected by Mónica de la Torre
05-01-07_ Umberto Eco: ¿para qué sirven los diarios?
19-12-06_ Interview * Mark Shepard
13-12-06_ Contra Cage
02-12-06_ UbuWeb Featured Resources December 2006 Selected by Raphael Rubinstein
23-11-06_ Jonas Mekas 32 films
22-11-06_ Sundance Winner 'The Corporation' Released for Free on BitTorrent
14-11-06_Como nos vemos. Del Renacimiento a YouTube* Hubert Burda
01-11-06_Crónica de un fin de semana anunciado
30-10-06_El espejo acústico
01-11-06_Viernes 27 a tope: aviso a navegantes
22-10-06_Un mundo sin Copyright
16-10-06_Robert Anton Wilson: The I in the Triangle
08-10-06_ Yeah Yeah Yeahs in Australia
28-09-06_Miles Davis, Romantic Hero
24-09-06_Barbara Kruger and William Gibson * on information with Tim Marlow
19-09-06_ A bibliography of Things
20-09-06_Los vaivenes de la moda en el MOMA y la Tate Modern
14-09-06_Dubstep, el underground eterno
06-09-06_Experimenting with Brands in Second Life
03-09-06_Download Public Domain Books in PDF For Free
21-08-06_Últimos «gatillazos» de Taylor-Wood
17-08-06_Writing About Virtual Words
12-08-06_The Ghost In Your Genes
06-08-06_Guy Debord (1931-1994) * Films
03-08-06_perfiles, recomendaciones y feliz verano
01-08-06_Jugando con el tiempo: Will Wright y Brian Eno
28-07-06_Bukowski y la nostalgia
20-07-06_Enigma variations * Pierre Huyghe
30-06-06_It's a Wonderful List
22-06-06_la vida secreta de los libros
17-06-06_The death of the critic
18-06-06_Del pop-art al 'videoclip'
05-06-06_Marketing to avatars
05-06-06_Generation next
12-05-06_Los escándalos de negatividad
05-05-06_El garaje Hermético de Jerry Cornelius * Moebius
31-05-07_ Miles Davis, más alla
21-04-06_Siempre la misma
19-04-06_¡¡MADRID LEE!! (y otras pildoras de su interes)
08-04-06_100 años de Beckett * Déjenlos que se rían
27-03-06_Adios, Stanislaw Lem
27-03-06_Don't Do Unto Others
25-03-06_Entrevista * Slavoj Zizek
19-03-06_Los Angeles, capital del arte del siglo XXI
19-03-06_El Objeto y La Música
12-03-06_Santayana-Lowell, cartas del viejo filósofo al joven poeta
01-03-06_Hoy he visto el futuro del rock y no se llama BS
01-03-06_Sobre la ciencia ficción
28-02-06_Tommy Lee Jones / Los tres entierros de Melquiades Estrada
28-02-06_Más moderna que ninguna
23-02-06_The fine art of revenge
18-02-06_From Russia With Blood / The horrors of Night Watch.
15-02-06_Un encuentro con Giorgio Agamben
12-02-06_Happy Birthday Charlie: Darwin Celebrated With Cake, Fossils
07-02-06_Arco: con un 'picasso' en el bolsillo
30-01-06_Araki, el pornógrafo compulsivo
29-01-06_Las líneas secretas de la escritura
27-01-06_When Cosmologies Collide
20-01-06_Darwin on Trial
17-01-06_My House, Bauhaus
16-01-06_Portrait of the Artist as a Young Artist
13-01-06_Copiátelo en la cabeza
13-01-06_Los seres humanos matamos más que la muerte
08-01-06_No usarás el nombre de la cultura en vano
09-01-06_Permanencias Difusas
24-11-07_ Miles Davis: The Cellar Door Sessions 1970
21-12-05_Acid Christmas
03-12-05_Primer > Yo mismo Yo [ delayed yo-yo reloaded ]
05-11-05_Entre mis recuerdos
27-10-05_Harold Pinter / “Sobrevivir es mi principal objetivo”
02-09-05_The subject of art
20-07-05_Impermeables a Shakespeare



Regístrate y disfruta de utilidades de administración y gestión de los contenidos de e-limbo*
Recibe las novedades en tu correo electronico.
El futuro está escrito en las estrellas... Horóscopo creado por J.G. Ballard y dedicado a todos vosotros.
Aplicaciones y herramientas necesarias para navegar y utilizar los contenidos del limbo electrónico e internet (www).
Artículos de e-limbo* en formato PDF preparados para viajar y aportar información allá donde estés. (y seguir salvando árboles)

_e-limbo * apoya



Mais uma edição do podcast Música Livre para o Archivo Vivo, do Centro Cultural da Espanha/AECID. ...
Ante preguntas de oyentes y amigos, puedo responder ahora que Vía Límite continuará en Radio ...
SORPRESA¡!¡! An unreleased version of Talking Heads' "Psycho Killer" with Arthur Russell on cello
Optimizado: Firefox, Safari, Mozilla, Netscape, Konqueror, Explorer. Resolución óptima: 1024x768
ISSN: 1885-5229    Aviso Legal e-limbo.org*